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  Mar 02, 2022

  Not quite in the top 5 of David Fincher'southward best films ('Se7en', 'The Social Network', 'Fight Club', 'Gone Girl' and 'Zodiac') merely it does come close. And this is somebody who found a lot to like nearly all his films, including his lesser ones like 'Conflicting 3' and 'Panic Room'. Despite beingness often considered a remake, personally prefer to call it a second adaptation of the book. The book is a fantastic read, and every bit an adaptation while it is condensed and has some changes Fincher'due south film still adheres to the bones tone of the book as does the Swedish version. Of the two versions, the Swedish version just gets the edge for its incredible atmosphere complete with bleakness, chills, shocks and is more authentic, with Noomi Rapace called-for the screen enigmatically with her presence. Where Fincher's film improves over the previous version are in 4 areas. Ane is the product values, which are far more than audacious here. The cinematography, both bleakly moody and exquisite to expect at, is more cinematic and perfectly captures the frozen landscape which is similar a character in itself. The film is very tightly edited as well in a way that is distinctively Fincher. Trent Reznor and Atticus Ross' music score is another winner of theirs, it is haunting and gives a really unnerving vibe, combined with some clever audio mixing. The script, even when condensed, is more than polished and tighter and also has more than flow. While Lisbeth is a fascinating and circuitous character in the Swedish picture show, the Lisbeth in Fincher'south film has even more complexity and more than variation of emotions. Fincher'southward direction is exemplary, showing a mastery of visual style and mood setting, ensuring that the film stays intriguing throughout the length. In lesser hands and with less assured pacing, with the long running time 'The Daughter with the Dragon Tattoo' could have been a long haul just had plenty of intrigue. Much of the storytelling is gripping, and while not as authentic or quite as masterful in temper like the Swedish counterpart was it has its fair share of chills, twists and turns (without existence convoluted or illogical) and shock value likewise every bit a murky bleakness. Opposite to what some believe, this 2d adaptation did have bespeak (was fearing it wouldn't), as information technology made the story more than accessible and gave information technology more exposure. Skilful acting helps. Daniel Craig is very wisely restrained, the character should have a quiet determination and dignity which Craig handles very well. Christopher Plummer is simply terrific besides, i of his all-time performances in contempo years, while Stellan Skasgard is frighteningly demented and Yorick van Wageningen is unsettlingly sadistic. Robin Wright does her best with a shallow character. All-time of all is a magnificent Rooney Mara, such a multi-layered performance and sees Mara non merely playing the role but disappearing into it. See her appearance for example, so committed that when you see her in other films you would not believe that it's the aforementioned person. There are faults even so. Did not recall much of the Gothic James Bail-like opening sequence that only felt jarring and out of place. Nor with the accents, which were a mix for some of the actors of having one too heavy or thick (Wright) or not attempting one at all (Craig). The decision to employ both English and Swedish in some scenes did take a tendency to confuse, while the fundamental relationship (generally successfully done) did experience underdeveloped and, even for characters that are the heart of the story, takes over the story a little too much somewhat. All in all, almost as good every bit the Swedish version and amend than both of that film'due south heavily flawed but still worthy sequels. 8/10 Bethany Cox

  Not quite in the top 5 of David Fincher's best films ('Se7en', 'The Social Network', 'Fight Order', 'Gone Daughter' and 'Zodiac') just it does come close. And this is somebody who plant a lot to like most all his films, including his bottom ones like 'Conflicting 3' and 'Panic Room'. Despite being often considered a remake, personally prefer to call it a 2d accommodation of the book. The book is a fantastic read, and as an accommodation while it is condensed and has some changes Fincher's film still adheres to the basic tone of the volume equally does the Swedish version. Of the two versions, the Swedish version just gets the edge for its incredible atmosphere complete with bleakness, chills, shocks and is more than authentic, with Noomi Rapace burning the screen enigmatically with her presence. Where Fincher's film improves over the previous version are in iv areas. One is the production values, which are far more audacious here. The cinematography, both bleakly moody and exquisite to look at, is more cinematic and perfectly captures the frozen landscape which is similar a character in itself. The motion-picture show is very tightly edited too in a way that is distinctively Fincher. Trent Reznor and Atticus Ross' music score is some other winner of theirs, it is haunting and gives a really unnerving vibe, combined with some clever sound mixing. The script, even when condensed, is more polished and tighter and also has more menstruation. While Lisbeth is a fascinating and complex character in the Swedish picture, the Lisbeth in Fincher'due south film has even more complication and more variation of emotions. Fincher's direction is exemplary, showing a mastery of visual style and mood setting, ensuring that the flick stays intriguing throughout the length. In lesser easily and with less assured pacing, with the long running time 'The Girl with the Dragon Tattoo' could take been a long haul just had enough of intrigue. Much of the storytelling is gripping, and while not every bit authentic or quite equally masterful in atmosphere like the Swedish counterpart was it has its fair share of chills, twists and turns (without beingness convoluted or illogical) and shock value equally well every bit a murky bleakness. Contrary to what some believe, this second adaptation did have point (was fearing it wouldn't), equally it made the story more accessible and gave information technology more than exposure. Good acting helps. Daniel Craig is very wisely restrained, the graphic symbol should have a tranquility conclusion and dignity which Craig handles very well. Christopher Plummer is merely terrific besides, one of his best performances in contempo years, while Stellan Skasgard is frighteningly demented and Yorick van Wageningen is unsettlingly sadistic. Robin Wright does her best with a shallow character. Best of all is a magnificent Rooney Mara, such a multi-layered functioning and sees Mara not but playing the part just disappearing into it. See her appearance for example, and then committed that when you see her in other films you would not believe that it's the same person. There are faults however. Did not think much of the Gothic James Bond-like opening sequence that just felt jarring and out of identify. Nor with the accents, which were a mix for some of the actors of having ane besides heavy or thick (Wright) or not attempting one at all (Craig). The decision to use both English language and Swedish in some scenes did have a tendency to confuse, while the central relationship (mostly successfully done) did feel underdeveloped and, fifty-fifty for characters that are the heart of the story, takes over the story a petty too much somewhat. All in all, almost as good as the Swedish version and improve than both of that film'southward heavily flawed but all the same worthy sequels. 8/10 Bethany Cox

• Feb 25, 2022

  This may not become downward as one of Fincher's greatest achievements and the Swedish version may likewise be revered in college regard, only there's lot to enjoy still. The performances from all involved are exactly what yous'd expect, the film has top class actors, Daniel Craig, Rooney Mara, Christopher Plummer and Stellan Skarsgaard. But information technology's Mara's performance that captivated my attention throughout the picture show, she is fantabulous as Lisburn Salander, the troubled reckoner hacker whom Criag's character, Mikael, hires to help with the investigation. She brings a quite intensity that slowly builds up as the film progresses, leading to a climax I thought reflected her whole journey in the moving-picture show. The performances are aided by a solid script from Steven Zaillian. Usually this is the case with Fincher's films, remember of Fight Gild and The Social Network as prime examples. The cinematography from Jeff Cronanweth is equally immersive equally he manages to stylistically combine the deadening Scandinavian landscapes with the films menacing narrative. The films pacing is perhaps the consequent Achilles heel, particularly in the opening one-half of the film, but overall it wasn't a huge distraction I truly enjoyed this adaptation, Fincher is without one of the great American filmmakers at that place has been, while this won't stand at the top, it tin can still be appreciated and stand aslope others in his e'er growing filmmaking memoir.

  This may not become downwardly as ane of Fincher'south greatest achievements and the Swedish version may besides be revered in higher regard, only there's lot to enjoy still. The performances from all involved are exactly what you'd look, the picture show has top class actors, Daniel Craig, Rooney Mara, Christopher Plummer and Stellan Skarsgaard. Just it's Mara's functioning that captivated my attention throughout the motion-picture show, she is excellent as Lisburn Salander, the troubled computer hacker whom Criag's character, Mikael, hires to assist with the investigation. She brings a quite intensity that slowly builds up equally the moving-picture show progresses, leading to a climax I thought reflected her whole journey in the film. The performances are aided past a solid script from Steven Zaillian. Unremarkably this is the case with Fincher'southward films, think of Fight Club and The Social Network every bit prime examples. The cinematography from Jeff Cronanweth is equally immersive as he manages to stylistically combine the tiresome Scandinavian landscapes with the films menacing narrative. The films pacing is maybe the consistent Achilles heel, particularly in the opening half of the film, but overall it wasn't a huge distraction I truly enjoyed this accommodation, Fincher is without i of the great American filmmakers there has been, while this won't stand at the summit, information technology can withal be appreciated and stand alongside others in his ever growing filmmaking memoir.

• Feb 22, 2022

  87/100 - Another great Fincher film.

  87/100 - Another bang-up Fincher movie.

• Feb sixteen, 2022

  Information technology's a not bad movie with superb interim, and you should definitely spotter it. That said, the sex and violence scenes felt similar they were written from a male-fantasy perspective, with overtly explicit imagery, and "what a guy would think a daughter would experience / do" - which wasn't equally bad as information technology could be due to Rooney Mara's fantastic performance. The villain felt like the caricature of a cliche, but that happens very late into the story, so the impact is kinda reduced. Still, overall a good motion-picture show.

  It's a great moving picture with superb acting, and you should definitely watch information technology. That said, the sex activity and violence scenes felt similar they were written from a male person-fantasy perspective, with overtly explicit imagery, and "what a guy would call back a daughter would experience / practice" - which wasn't as bad equally it could be due to Rooney Mara'southward fantastic performance. The villain felt like the caricature of a cliche, merely that happens very late into the story, and then the impact is kinda reduced. Nevertheless, overall a good movie.

• Jan 08, 2022

  A brutal investigation movie which hits you hard. The character arc is amazing particularly for Lisbeth (played by Rooney Mara). When Mara grows with the function, I found Craig's grapheme very flat and lack of focus. I did not read the novel backside the movie and I did not picket the previous Sweden made movie. Therefore, I cannot do any comparisons. It is a good motion-picture show to watch if y'all are after a good story and very well portrayed investigation scenes.

  A savage investigation movie which hits y'all difficult. The character arc is amazing especially for Lisbeth (played by Rooney Mara). When Mara grows with the office, I constitute Craig's character very apartment and lack of focus. I did not read the novel backside the moving-picture show and I did non sentry the previous Sweden made movie. Therefore, I cannot do any comparisons. It is a proficient motion-picture show to sentry if you lot are after a good story and very well portrayed investigation scenes.

• December 28, 2021

  Much like information technology's forebear ( Noomi Rapace), it'south exceptionally well done, with some excruciating violence, but that was the point of the books in the first place. Unfortunately, any endeavour at further outings, for the following books, have fell lamentably short. If only Lizbet could be resurrected past someone who cared virtually the character as much every bit me ?

  Much like information technology's forebear ( Noomi Rapace), it's exceptionally well done, with some excruciating violence, but that was the bespeak of the books in the first place. Unfortunately, whatsoever endeavor at further outings, for the following books, accept fell lamentably brusque. If only Lizbet could be resurrected by someone who cared about the character as much as me ?

• Dec 01, 2021

  A savage movie that is the effect of a slap-up cast, tone, score, and cinematography. Rooney Mara is fantabulous in accenting a world where succinct moments of loyalty coexists with constant trials of betrayal.

  A brutal film that is the consequence of a nifty cast, tone, score, and cinematography. Rooney Mara is excellent in accenting a world where succinct moments of loyalty coexists with abiding trials of betrayal.

• Nov 21, 2021

  If always a film needed a warning rating for brutal violence and rape scenes, this one did. Why does it have no rating at all?

  If always a film needed a warning rating for brutal violence and rape scenes, this one did. Why does it have no rating at all?

• Nov 10, 2021

  the issue here is that the original Swedish version is superior to this (basically) frame by frame American remake... i hate when they practise this... However, Rooney Mara proved herself to be one of the all-time American actors of her generation!

  the issue hither is that the original Swedish version is superior to this (basically) frame by frame American remake... i hate when they exercise this... All the same, Rooney Mara proved herself to be i of the best American actors of her generation!

• Oct 31, 2021

  The mystery pulled me from the very get-go and kept its concur until the very end.

  The mystery pulled me from the very beginning and kept its concord until the very terminate.

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Source: https://www.rottentomatoes.com/m/the_girl_with_the_dragon_tattoo/reviews/?page=23&type=user&sort=

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